DIRECTOR
Edward Yang
RUNTIME
2h 1m
RATING
NR
CAST
Tang Tsung-sheng, Chang Chen, Lawrence Ko, and Virginie Ledoyen
SYNOPSIS
In English and Mandarin with English subtitles.
A screwball farce about the manipulation and lies baked into modern prosperity, Mahjong centers on a trendy nightspot in Taipei, where Yang orchestrates the elaborate comings and goings of a raft of disparate characters, including a couple of mob enforcers (one played by YI YI’s Wu Nien-Jen, co-writer of THAT DAY, ON THE BEACH and TAIPEI STORY), an American escort service madam, and a young Frenchwoman (Virginie Ledoyen) looking for the British entrepreneur who wooed her in London. Yang’s penultimate feature is as much a wry critique of the many dark crime-comedies of its decade as it is a jaundiced love letter to late ’90s Taipei—a city where languages, classes, and ideologies collide at a dizzying rate, and the pursuit of happiness is a brutal zero-sum game.
A screwball farce about the manipulation and lies baked into modern prosperity, Mahjong centers on a trendy nightspot in Taipei, where Yang orchestrates the elaborate comings and goings of a raft of disparate characters, including a couple of mob enforcers (one played by YI YI’s Wu Nien-Jen, co-writer of THAT DAY, ON THE BEACH and TAIPEI STORY), an American escort service madam, and a young Frenchwoman (Virginie Ledoyen) looking for the British entrepreneur who wooed her in London. Yang’s penultimate feature is as much a wry critique of the many dark crime-comedies of its decade as it is a jaundiced love letter to late ’90s Taipei—a city where languages, classes, and ideologies collide at a dizzying rate, and the pursuit of happiness is a brutal zero-sum game.
CAST
Tang Tsung-sheng, Chang Chen, Lawrence Ko, and Virginie Ledoyen
SYNOPSIS
In English and Mandarin with English subtitles.
A screwball farce about the manipulation and lies baked into modern prosperity, Mahjong centers on a trendy nightspot in Taipei, where Yang orchestrates the elaborate comings and goings of a raft of disparate characters, including a couple of mob enforcers (one played by YI YI’s Wu Nien-Jen, co-writer of THAT DAY, ON THE BEACH and TAIPEI STORY), an American escort service madam, and a young Frenchwoman (Virginie Ledoyen) looking for the British entrepreneur who wooed her in London. Yang’s penultimate feature is as much a wry critique of the many dark crime-comedies of its decade as it is a jaundiced love letter to late ’90s Taipei—a city where languages, classes, and ideologies collide at a dizzying rate, and the pursuit of happiness is a brutal zero-sum game.
A screwball farce about the manipulation and lies baked into modern prosperity, Mahjong centers on a trendy nightspot in Taipei, where Yang orchestrates the elaborate comings and goings of a raft of disparate characters, including a couple of mob enforcers (one played by YI YI’s Wu Nien-Jen, co-writer of THAT DAY, ON THE BEACH and TAIPEI STORY), an American escort service madam, and a young Frenchwoman (Virginie Ledoyen) looking for the British entrepreneur who wooed her in London. Yang’s penultimate feature is as much a wry critique of the many dark crime-comedies of its decade as it is a jaundiced love letter to late ’90s Taipei—a city where languages, classes, and ideologies collide at a dizzying rate, and the pursuit of happiness is a brutal zero-sum game.